Emily's Albums A to Z

Listened: Tuesday October 12

You’re So Silent is the perfect expression of being an introverted, dramatic young person. Simultaneously it’s very creative and witty. Jens makes wry statements at the exact moment he’s pouring his heart out with his voice. I just realized he’s like the Bizarro World Bright Eyes – he deals beautifully with the same subjects Conor does, but with a smirk and a sense of humor about himself. Not to mention a much more beautiful voice. Some examples:

“She said we were just make-believe, but I thought she said ‘maple leaves’. And when she talked about a Fall, I thought she talked about Mark E Smith. I never understood at all.” Unexpected and slightly obscure references – irresistible.

“I’ve got my pockets full of money, I’m gonna spend it all tonight. A whole months salary, gonna set it to flames, on some girl. We just met recently. I barely know her name.” Make it plain, Jens!

“It’s like someone spilled a beer, all over the atmosphere.” Again, with the unexpected and painterly references!

“And I’ve heard all the stories ’bout the black cabs and the way they drive. But if you take a ride with them, you may not come back alive. They might be psycho killers, but tonight I really don’t care. So I say turn up the music, take me home or take me anywhere!” I’ve blasted Black Cab repeatedly in my car, singing at the top of my lungs each and every time. It’s one of my favorite songs ever.

“When I was sixteen, I hung out with the kids who lacked it. And the punks who were born with leather jackets. The kind of punks that place themselves in brackets.” Who didn’t hang out with those guys once in a while, even if only in their imagination?

“F-Word, F-Word, pardon my French, but it’s BS, BS.” A beautifully composed homage to the F-word – without actually using it. Points!

I appreciate the further maturity of Jens’ music, but the well-expressed and unabashed immaturity on this album is entirely endearing.

Listened: Monday October 11

The Zombies are a bit fetishized by music geeks and obscure vinyl bin divers. I’ve always loved Time Of The Season (I even own a 45 of it, from a very brief period when I thought I might collect 45s).

So when I saw Odessey & Oracle for sale on Amazon, I pounced. It’s certainly high-quality 60s psychedelic Brit-pop (lots of harmonies and stylized songs), plus they have a melancholy song called “A Rose For Emily”. Bonus points – not many songs are written for me!

One thing bugged me though – what’s with the misspelled title? According to Wikipedia, it was a design mistake by the guy who made the cover, and the band tried to cover that up by saying it was on purpose. It’s memorable to spelling nerds, I’ll give you that.

Listened: Monday October 11

Odelay made people come to my office and ask me what the hell I was  listening to (specifically the synthy noodling at the end of Novacane).

I enjoy this album a lot more than I used to. I acquired it sometime after its time in the sun, because, like Nevermind, I thought I should own it, as a piece of the soundtrack of my teenage years. Until the project, though, I didn’t listen to it much.

I guess I do have to give it props – it doesn’t sound like anything else. Mr Hansen might have known what he was doing.

Listened: Monday October 11

As I’ve noted before, I have a love-hate relationship with Travis’ later works. The spark just isn’t the same. However, with J. Smith I think they’ve recovered at bit, or at least found how well they can excel without the spark. The songs are pretty (Song to Self and Before You Were Young are standouts) and Andy Dunlop is still kicking arse on the guitar.

I really dislike the album cover though – it just doesn’t seem Travissy.

Listened: Monday October 11

I’ve heard October referred to as U2’s weakest album, the inevitable sophomore slump.  Bono’s notebooks full of lyrics were stolen right before recording, but I really think they made lemonade out of those lemons.

Gloria is a very underrated song in the U2 canon. According to Wikipedia, neither the song nor the video is included on any of their compilations. I don’t really understand why; it’s probably their first really anthemic song, if a little odd, given the Latin lyrics.

This album seems to be the most piano-heavy of all U2 albums. I actually kind of like the simple piano tones juxtaposed with The Edge’s signature guitar sound.

I guess I have to agree that if I was forced to rank U2 albums from top to bottom this one would be in the bottom half. But the competition is so fierce, I’m not sure that’s fair! Any run of the mill band would be thrilled to have an album this good.

Listened: Monday October 11

Underworld have mellowed in their old age, and it suits them just fine. This album isn’t anthemic, but each song bubbles with life and makes me think of driving fast down a straight road at night.

I’m normally not a big fan of robo-voices in songs, but I love it when Underworld does it as a backing vocal to a lyric like “People are squinting to block out the sun, complaining or soaking it up, praying for rain the next minute for a scorched earth. What’s it worth, enough is never enough, let’s have a little moan. Put the world to right, sit back and watch it all slide by, it’s a view from a train…”

Listened: Monday October 11

O is a lovely album, but I don’t know that I own too many other universally painful albums. Longing and strife is apparent in each and every song. I have to be careful to listen to it only at appropriate times, or it makes me want to end it all.

I had been hearing about Damien Rice for some time, and then I saw Closer, which uses his music, particularly The Blower’s Daughter, to fabulous effect, given that the film is also full of pain and complication. I decided I needed to see what else he had to offer, and bought the album.

As much as I enjoy it, because of the deep emotional challenges of it, it doesn’t elicit the feeling of “Wow, I need to own his next album.” Who knows though – maybe he became Mr. Upbeat on his followup!

Listened: Monday October 11

Apparently I love deep house and downtempo, since I love Nude Dimensions and Wikipedia says that’s what you would call it. I don’t even remember how I ended up with this CD, I think it was back at the very end of college or just after. They’re locally based, so maybe that’s why I wanted to check them out.

It’s great work music and could be great “getting ready to go out” music too. It’s not super-chill music – it has interesting beats and jazzy touches and it really helps move momentum along. It’s one of those CDs that flows along so well that it’s over before you even absorb that it started. They also don’t run with a groove for too long like some similarly-oriented music. It stays interesting and moves on to the next thing when it’s time.

The woman on the cover reminds me of Mrs Robinson (the hairstyle and the streak in it). That’s kind of disturbing.

Listened: Friday October 8

I get the impression that Ash really hit their stride with this album. 1977 was awesome, but here it sounds like they’re really basking in the glow of being young rock stars. The energy level is really high and full of “woohoohoo”s and crunchy guitars. I can hear the Weezer influence clearly on this album.

Listened: Friday October 8

Noble Beast is a very pretty and mellow album. Andrew Bird sings like Jeff Buckley and is musically similar to Jose Gonzales plus whistling and tons of strings (he’s a classically trained violinist).

I really enjoy this album, but I don’t think I’m enough of a classical music geek to really get into it. I think people with experience in that area would be able to appreciate it more than I do.